How Architecture Reflects Society
A thought seized us recently as we were discussing a previous blog post on the history and influence of shingle-style architecture. Near the end of the article, we point out that the style reflects “the slow and romantic lifestyle of the Victorian era.” And it does. But at the height of its popularity, shingle-style architecture stood for one thing: wealth. These houses were how the upper crust of late nineteenth-century America expressed their wealth. Spacious houses showcased the bare fact of their affluence. Global influences proved they had the means to travel, absorb culture, and enjoy the romance of a life at ease indicated that they were well-enough established not to lead harried lives.
Part of our mission statement cites that we aim to reflect our clients’ identities through the homes we create for them. This concept is more than just pretty words on paper; it informs our design decisions from start to finish. But in order to understand just how that works, it is important to see how aptly architecture has always reflected individuality and culture. The history of shingle-style architecture is a prime example, because it elegantly expresses not only the importance of wealth in the post-Victorian era, but also precisely what that wealth meant and how it behaved. For wealthy landowners at the turn of the century, a shingle-style house demonstrated wealth better than any Victorian adornment. The owners did not only have the money to commission impressive estates—they also had ample time to spend luxuriating on the premises. The industrial age also provided new opportunities to demonstrate wealth through machine-made products, intricate millwork, and impressive architectural detailing that would have been improbable (at best) only a few years earlier.

Notice the shingle carve-aways at right, reminiscent of turn-of-the-century shingle-style architecture.
Architecture’s reflection of society is far from a new concept. Consider how the great pyramids of Egypt underline their rulers’ power and prestige, the importance they placed in the afterlife, and their enormous value for material goods, even in death. Every era of human history speaks with a distinct architectural voice. English architect Sir Norman Foster (noted for rebuilding the Reichstag in Berlin after the reunification of Germany) explains, “Architecture is an expression of values—the way we build is a reflection of the way we live. This is why vernacular tradition and the historical layers of a city are so fascinating, as every era produces its own vocabulary.” In recognizing these values and the identities structured around them, we hope to design homes that reflect the spirit of their owners and the specific cadence of the world around them.





Elizabeth Cameron joined Morehouse MacDonald and Associates as an interior designer in 2017, to help us with interior design projects in the Lesser Antilles. The Oklahoma native moved to Boston in 2012 to pursue a degree in Architectural Studies with a minor in Visual Arts from Boston University which she received in January of 2016. She also studied European architectural history in Venice during her education at Boston University. Elizabeth earned her Masters of Arts degree in Interior Architecture at Suffolk University in 2018.


Anthony M. Frausto-Robledo, AIA, LEED AP, has been with MMA since 1999. In 2018 he was promoted to associate principal and in 2025 to principal and partner.


Kyle McCreight Carroll is a talented project designer who graduated with a Bachelor of Science in Environmental Studies from Oberlin College and received her Master of Architecture from Miami University.


Duncan Morton joined the MMA team as a Project Architect. He received a Bachelor’s degree in Mathematics from Bates College and a Master’s in Education from Boston College.
James Christopherson joined MMA in 2000 and brings diverse experiences in design and building construction expertise spanning more than 25 years. Among those are several years in the design of large-scale medical facilities, assisted care communities, and nursing homes. James has also practiced for several years as an independent architectural designer and visual communications consultant. He has designed private residences, condominiums, banks, libraries, and office buildings; additionally, he has produced major illustrations for many of the Boston areas’ most respected architecture firms.

John S. MacDonald, AIA, is principal and owner of Morehouse MacDonald and Associates, Inc. and has served in that capacity since 1988, directing the firm’s growth and management. John serves as Principal-in-Charge of each project and is responsible for setting overall design direction within the firm. His designs have appeared in numerous design and professional magazines such as Architectural Digest, Metropolitan Home, Better Homes & Gardens, House Beautiful, Boston Common, Cape Cod & Islands Home Magazine, Boston Magazine and Trends Magazine. In addition, John has appeared on the cable television channel HGTV discussing the firm’s architectural work and showcasing several key projects.

